
http://www.butlerart.com/pc_book/pages/GEORGIA%20O'KEEFFE.htm
XXVII. “WHEN I CONSIDER EVERY THING THAT GROWS”
The blossoms of the apricot blew east
Electric tracings on a silver wing
I find when the snow is thick
A version of a Spanish mosaic
Tossing everything up, and must come back
Where an eye will swallow itself, ask
Were we even there?
Riding Pandora’s ripples
Wasting time writing love poems
Heedless of the storm in the sky
Out the window, peering at the view
Rehearsing the event, I can’t find to tell you
All I want is boundless love
You still want poems you can understand
XXXVIII. Dear Megan,
I like the poem the way it is, though
I changed deaf to muffled. And the last line--
At first I was confused by the word 'Sublime'
because after your list of things in the world
I would have thought the opposite, but now I see
you are juxtaposing your moment with atrocities.
Did you write it in Spanish first? You could translate it.
That would be interesting.
Hi Renee, no, I didn't write it in Spanish first--
'Sublime' because I came to a strange moment
I felt like time stood still and life in itself didn't, doesn't
make any sense when you think how many people are killed everyday.
I guess that sense of the strangeness of life comes
over all thinkers now and then.

William Blake, Oberon, Titania and Puck with Fairies Dancing (c. 1785)

Ann Mikolowski, “Robert Creeley” (1988).
Oil on linen. 3 1/4” x 2 3/8”. Collection Penelope Creeley.
from http://brooklynrail.org/2007/5/artseen/ann-mikolowski-two-ways-of-looking-in-a-
Ann Mikolowski: Two Ways of Looking in a Mirror
Center Galleries, College for Creative Studies, Detroit, Michigan March 16 – April 28, 2007
Works on Paper
Paul Kotula Projects, Ferndale, Michigan March 17 – April 21, 2007
In the chilled air of early spring, Lake Huron stretches into a crystalline body with no end in sight. The second largest of the great lakes, Huron borders most of Michigan’s east coast. In Ann Mikolowski’s “Ghostrider” (1988), thin layers of oil paint split the lake’s horizon into a sweeping gray and a turbulent blue that, together, evoke Mark Rothko or Barnett Newman in their consuming passage to the sublime.
Yesterday I went to New York City and these are the earrings I coveted
but did not buy. They are tiny wise owl earrings and they are the dearest things
I've seen in a while. I saw them at Anthropologie, where I did pick up a gift for
my friend Megan, who is moving to Iowa soon and leaving our beloved Ann Arbor.
I also went to the South Street Seaport where I found a card for Iris from the
Mariposa Butterfly gallery:

I feel a little ambivalent about showing the art
of a person who uses live animals, but
at the same time they are so beautifully done, I wonder if these creatures on
some
level agreed to have themselves made into art, the universe's will? I'm
not sure. Maybe
if I receive a lot of negative feedback I will take them down. I will let
the community decide. Lastly here is a
postcard I found at a cafe in Soho for a new dance production (oui, oui!)
by Stephen Petronio Company

